by Greg Tate which reads: "To be a race-identified race-refugee is to
Notes to Basquiat: Unreasonable facsimile 1998
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Gordon Bennett - Art - LibGuides at Melbourne High School Gordon Bennett - Notes to Basquiat: 911 - Search the Collection In Notes to Basquiat (Death of irony) 2002, Bennett astonishingly knits a homage to Basquiat with Islamic patterns and calligraphy into a coherent composition . Mclean, I. Moreover, Bennetts work is aesthetically similar to American artist Jean-Michel Basquiat. In his artists statement, composed as a letter to Basquiat, Bennett says:
Gordon Bennett was one of the leading artists of his generation and received widespread recognition internationally for his striking .
On the opposite corner, however, a pair of heads labelled Caucasian and black/abo stare blankly into the void. Galtung, J. Bennetts painting Notes to Basquiat (2001) presents distinctly cultural conflict in contemporary Australian society. View sold prices.
Get the best price for your artwork or collection. That is not my intention, I have had my own experiences of being crowned in Australia, as an 'Urban Aboriginal' artist underscored as that title is by racism and 'primitivism' - and I do not wear it well. Certainly, the notebook quote reflects how Bennetts reputation has been cemented in Australian art history. Yours Sincerely,
Notes to Basquiat - Big Shoes - 2002. Ultimately betraying Bennetts highly idiosyncratic vision however, is his characteristic engagement of the viewer here through his thesaurus inspired word-play designed to activate the complex web connecting sight, speech and thought, and thus highlights the links between history and meaning established in his oeuvre. 152.0 x 182.5 cm. Cultural Violence, Journal of Peace Research, vol.27 (3), 291-305.
GORDON BENNETT (b. 1955) Synthetic polymer paint on canvas and rope on wood They reference the massacres of Aboriginal people in Myth of the Western man (White mans burden) (1992) and The nine ricochets (Fall down black fella, Jump up white fella (1990) and question the valorising of Captain Cook in Big Romantic Painting (Apotheosis of Captain Cook) (1993) and Possession Island (1991).
Unfinished Business: The Art of Gordon Bennett (2010).
1955 (2014). Oil and synthetic polymer paint on canvas Two parts: 162 x 260cm (overall) Bennett is commenting on the devastating effects of colonialisation on Australias indigenous population. Gordon Bennett. and the histories of shared experience and levels we can relate to each
6 (stamped on stretcher bar verso)Kwangju Biennale 2000: Man + Space,Kwangju Biennale Exhibition Hall - Gallery 4, Korea, 29 March 7 June 2000Midwinter Masters: (Whats so funny bout) peace, love and understanding?, The Gallery, Bayside Arts and Cultural Centre, Melbourne, 22 June 18 August 2013 (illus. I feel I can understand
McLean I., Probability, rap and coincidence: notes to Basquiat in Gordon Bennett: One Tense Moment (episode two), exhibition catalogue, Sherman Galleries, Sydney, 1999 . Bennett, Gordon. He also wrote an open letter to the dead artist celebrating their cultural and artistic similarities, as well as their shared love of jazz, rap and . Look more closely, however, you can see paintings by the 'real' Bennett displayed on the walls.
Notes to Basquiat - Big Shoes - Cooee Art GORDON BENNETT, (1955 - 2014) - NOTES TO BASQUIAT: (AB) ORIGINAL, 1999, synthetic polymer paint on linen DIMENSIONS: 182.5 - 182.5 cm SIGNED: signed, dated and inscribed v . Indeed, perhaps more directly and explicitly than any other Australian artist, he engaged in the debate on republicanism, sovereignty and citizenship in an effort to highlight the plight of indigenous people not just locally, but internationally, who have become estranged as a result of colonialism.
Probability, Rap and coincidence The pop art inspired paintings of the Coloured People and Interiors series seem glossier and less political than Bennetts other work, but this is not the case. Est: AUD30 - AUD50. In the upper left-hand corner, a Margaret Preston stylised female figure tumbles, caught in a modernist lattice reminiscent of the work of Dutch artist Piet Mondrian. He is understood alongside politically inclined American artists from the so-called Pictures generation of the 1970s and 80s (Barbara Kruger, Cindy Sherman, Sherrie Levin). Exhibited: "Treasures Gallery", National Library of Australia, 12 December 2012 - 7 July 2013. 23-25, Sydney, May 2017-Jun 2017, 24 (colour illus.). Open daily John CitizenInterior (Tribal Rug) 2007acrylic on linen152 x 152cmCollection: Private, Brisbane The Estate of Gordon Bennett. He felt alienated by his Australian education and the representation of Aboriginal people in Western culture and as a result, began confronting the idea of identity in his own work. In his recent book Rattling Spears: A History of Indigenous Australian Art (2016), art historian Ian McLean argues that anger is the consistent emotion expressed by Bennetts work.
'One of the most important Australian artists of the late 20th century Notes to Basquiat: Double vision2000Gordon BENNETT. of your drawing of the human figure. Change), You are commenting using your Facebook account. Bennett was born in Monto, Queensland, in 1955 to an indigenous Australian mother and an Anglo Celtic migrant father. Paul Matharan and Arnaud Morvan, Mmoires vives: une histoire de l'art aborigine, Bordeaux, 2013, 220, 221 (colour illus.). Australian artist Gordon Bennett's exhibition, a powerful attack on systemic racism, is called Be Polite. Attending to form as much as content enables a different view of Bennetts oeuvre and critical purpose. (1999). Griffith University provides funding as a member of The Conversation AU. back the skin and flesh to reveal the innards, ribs and skeleton, the
synthetic polymer paint on canvas.
Gordon Bennett, Notes to Basquiat: Totem Lesson 2 - Annette Larkin Basquiat, New York: Merrell Publishers. Gordon Bennett was an Indigenous Australian artist whose work primarily conveyed indigenous identity struggles, particularly through the subject of colonization and racial injustice. Medium. c: 182 x 182cm; 182 x 425cm (overall) Purchased 2019 with funds from the Neilson Foundation through the Queensland Art Gallery | Gallery of Modern Art Foundation Collection: Paul Eliadis Collection of Contemporary Australian Art, Australia
inscribed in pencil on reverse : G Bennett 19-5-2000 / "NOTES TO BASQUIAT : DOUBLE VISION" / Acrylic on Linen 152 x 182.5 cms / Jean Cocteau "orpheus" / MIRRORS WOULD DO WELL / TO REFLECT MORE". He also wrote an open letter to the dead artist celebrating their cultural and artistic similarities, as well as their shared love of jazz, rap and hip-hop. Dear Jean-Michel Basquiat,
Notes to Basquiat (in the future art will not be boring) This painting emanates from the 'Notes to Basquiat' series of paintings, where the artist takes appropriation to . ^ Terry Smith, "Australia's Anxiety," History and Memory in the Art of Gordon Bennett, Birmingham: Ikon Gallery, 1999, p. 17. Inscriptions: "G. Bennett Nov. 1999 / Notes to Basquiat: Untitled"--On verso. This citation of Basquiat's work acts for Bennett as a mode of communication with the American artist who died in 1988.
Notes to Basquiat Untitled, 1999 [picture] / Gordon Bennett | National synthetic polymer paint on linen.
Gordon Bennett: Illuminations or a season in hell | Artlink Magazine 'Unfinished Business: The Art of Gordon Bennett' celebrates the Queensland-based artist's globally recognised contribution to . Notes to Basquiat:(ab)Original 1998
In the late 1990s, he embarked on two consecutive series of paintings, the Home Dcor series, and Notes to Basquiat. Gift of The Hon. GORDON BENNETT (b. Estimate: $35,000 - $45,000. That is not my intention, I have had my own experiences of being crowned in Australia, as an Urban Aboriginal artist - underscored as that title is by racism and primitivism - and I do not wear it well . Bennett not only borrows images from the work of American artist Jean-Michel Basquiat, but also begins to mimic Basquiat's spontaneous and gestural urban style of painting, reflecting his involvement in the graffiti culture of the United States. Bennetts series works across both Australian and American
revealed. This task is the unfinished business referenced in the title of the show. As Jill Bennett elucidates, Bennett does not simply imitate or act as Basquiat [Rather] he is interested in how Basquiats work might be encountered from a different place, and what happens when different accounts of history and experience are registered simultaneously within a given frame2, Accordingly, in the present Notes to Basquiat: (Ab)original, 1999, the experience of race and life generally in the northern and southern hemispheres is both differentiated and conflated through Bennetts highly sophisticated mimicry of Basquiats spontaneous urban style. In Bennetts painting, the imagery of 9/11, for instance, illustrates metaphorically the ongoing religious/cultural conflict deeply embedded within Australian society that is comparable to an event like 9/11 where cultural/religious difference is perceived to instigate violence. within, the narratives of the past.".
About; About. Gordon Bennett Australia 1955-2014. Pollocks action painting is presented as a form of cultural appropriation of First Nations sand painting in Notes to Basquiat: Bird (2001), and those same active lines form the veins of Bloodlines (1993). 38.0 x 53.5 cm . Such is reiterated by the works unfolding lines of text the same but different / different but the same a notion which not only reverberates throughout the entire series, but is similarly reflected in Bennetts knowing relationship to Basquiat and his practice. 152.0 x 182.5 cm. A critically and politically engaged artist, Bennett presents alternative historical narratives of Australia and of contemporary world events, creating provocative works that place identity politics front and centre. Gordon Bennett, Retrieved August 24, 2014, from, http://www.ngv.vic.gov.au/gordonbennett/education/04.html. With the invitation to exhibit in a contemporary art fair at New Yorks Gramercy Hotel as catalyst, in 1998 Bennett embarked upon his celebrated Notes to Basquiat series paying homage to the work of Neo-Expressionist painter Jean-Michel Basquiat the first African American to receive international art world acclaim who also shared a similar preoccupation with semiotics and visual language as instruments of marginalisation. We will contact you if necessary. The former emerges from a Klansman conical shroud, the gears of his brain communicating directly with those of his subordinate comrade, like the mechanisms of a ventriloquists doll. In the open letter to Jean-Michel Basquiat, Bennett continues: To some, writing a letter to a person post-humously may seem very tacky and an attempt to gain some kind of attention, even 'steal' your 'crown'. Bennett, G., quoted in Gordon Bennett, National Gallery of Victoria, Melbourne, 2007, p. 212. ibid.3. Gordon Bennett was a painter of history and histories. Given that consistently expressed view, thinking about how his work addresses the cause of anti-racism is an apt prism through which to view the current exhibition. . Bloodlines 1993 5Unscripted: Language in Contemporary Australian Art, Art Gallery of New South Wales, Sydney, 20 May 24 July, 2005, The Galleries, Sydney Morning Herald, 9 November 1999, p. 17McLean I., Probability, rap and coincidence: notes to Basquiat in Gordon Bennett: One Tense Moment (episode two), exhibition catalogue, Sherman Galleries, Sydney, 1999, unpaginated (illus. Art challenges and influences public opinion on conflict, yet more importantly it identifies injustices inherent to the cultural relationships and identities within a society. The late artist, of Indigenous and Anglo-Celtic ancestry, expressed his disgust through wit and anger in a variety of . is inspired by the work of Jean-Michel Basquiat, the Haitian-American
Paul Guest OAM QC under the Cultural Gifts Program 2018. Gordon Bennett 'Notes to Basquiat' (911) 2001 synthetic polymer paint on linen 182.5 x 304.0 cm. other as human beings in the world of material existence, even though
The Estate of Gordon Bennett 102: GORDON BENNETT born 1955 Notes to Basquiat.
Sold at Auction: Gordon Bennett - Invaluable born 1955. In the wake of his untimely death less than two years ago, Gordon Bennett has been championed as a hero of Australian art who drew inspiration from Australias colonial past and postcolonial present to powerfully interrogate the role of language in structuring the ideologies that so determine our personal and cultural identities. In the late 1990s, he embarked on two consecutive series of paintings, the Home Dcor series, and Notes to Basquiat. Deliberately inconclusive original, archetype, manuscript, master, parent etc Notes to Basquiat: (Ab)original eloquently attests to the compelling possibilities offered by Bennetts art and its embodiment of a process being kept in play; and as he poignantly muses, Poetry doesnt seek closure on its meaning.
The ideals of pure colour and form of early 20th century De Stjil abstraction appeared to Bennett as another form of exclusion. We notify you each time your favorite artists feature in an exhibition, auction or the press, Access detailed sales records for over 657,106 artists, and more than two decades of past auction results, Buy unsold paintings, prints and more for the best price, Notes to Basquiat: Myth of The Western Man ,2001, Notes to Basquiat: Cut the Circle II ,2001, Home Decor (After Margaret Presont) ; Preston+DeStijl = Citizen (My Boomerang Won't Come Back) 1996 - Gordon Bennett, Home Decor (Counter Composition) Black Swan, 1999 - Gordon Bennett. GORDON BENNETT born 1955 Notes to Basquiat: Hand of God 1999 synthetic polymer paint on linen signe. Artists suggestions based on your preferences, Filter by media, style, movement, nationality and activity period, Overall performance of recent notable sales, Upcoming exhibitions at your preferred locations, Global snapshot, top performers and top lots, Charts on artist trends and performance over time, ready to export, Get your artworks appraised online in 72 hours or less by experienced IFAA accredited professionals. The first African American artist to be internationally acclaimed, he was in many ways a model of the exotic success favoured in the rapacious celebrity stakes of the New York art world as much for his ethnic origins and youthful beauty as for his undoubted talent. Home Decor (After M Preston) No 3 2010 2010 Synthetic polymer paint on linen / 182.5 x 152cm The Estate of Gordon Bennett. Collection: Paul Eliadis Collection of Contemporary Australian Art, Australia
Queensland Art Gallery | Gallery of Modern Art. Arguing that the codes of Western art, literature, law and science introduced with European settlement have become a prison from which indigenous people cannot escape but rather, only appropriate Bennett sought to picture such manifold conspiracies, employing the deconstructivist aesthetic of postmodernism to re-present the histories and politics underlying the Australian social landscape. The art and legacy of Gordon Bennett (1955-2014), one of Australia's most influential contemporary artists, will be on show at the Gallery of Modern Art (GOMA) from 7 November 2020 to 21 March 2021. ), 210. Signed and dated u.l. Bennett died in 2014, aged 58. His colourful and thought provoking conceptual paintings, prints, performance videos and installations draw on many different sources and styles. This painting emanates from the 'Notes to Basquiat' series of paintings, where the artist takes appropriation to a new level within his practice. Review: Unfinished Business: The art of Gordon Bennett, QAGOMA, Brisbane. He first became aware of his dual heritage when he was a young teenager.
Notes to Basquiat (City) - AGSA Collection Bennett claims his identity was, shaped by the historical narratives of colonialism with all its romantic illusions and factual deletions (SMH 2014). Estimate: $40,000 - 50,000. Synthetic polymer paint on paper
Synthetic polymer paint on paper
Bellas Gallery, Brisbane Acquired from the above by the present owner in 1999. Three parts: a: 182 x 182cm; b: 182 x 61cm; 30 (illus.
Limited Edition Digital Works on Paper . Bennett directly referenced the work of many other artists throughout his career, including Jackson Pollock, Bennett makes art that questions accepted versions of history, often taking historical artworks as his starting point. Gordon Bennett's series Notes to Basquiat is inspired by the work of Jean-Michel Basquiat, the Haitian-American artist with Puerto-Rican heritage who came to prominence in the USA in the 1980s. Of course, this price has nothing to do with the top prices that other . This major display, drawn from the National Gallery's collection, brings together works by First Nations and non-Indigenous artists from across Australia, including work by artists from Asia and the Pacific. Gordon Bennett - Notes to Basquiat: 911 - Search the Collection, National Gallery of Australia We tend to think of him as a key figure in political or critical postmodernism. Khaled Sabsabi, Look, 'The art that made me', pg. Outsider 1988 ; Signed; . "Notes to Basquiat: Untitled, 1999 appears to be referencing Basquiat's 'Samo', with the simple and strong text 'Sorry' recreated in a similar style with the familiar ironic copyright symbol. author unknown. Collection: Paul Eliadis Collection of Contemporary Australian Art, Australia
Anchoring the composition is a confronting tortured skeletal figure . Perhaps McLean reads Bennetts work in this way because anger at injustice is the emotional tone critical postmodernism typically adopts. I was excited to find in the essay "Welcome to the Terrordome: Jean
)Man + Space: Kwangju Biennale 2000, exhibition catalogue, Kwangju Biennale Foundation, South Korea, 2000, p. 273 (illus. Apologies -- Australia -- Pictorial works. These large scale history paintings of the 1990s are perhaps his best known works. Gordon BennettPossession Island (Abstraction) 1991oil and acrylic on canvas182 x 182cmCollection: Museum of Contemporary Art Australia and Tate, purchased jointly with funds provided by the Qantas Foundation, 2016 The Estate of Gordon Bennett. I am trying to paint the one painting that will change the world before which even the most rabid racists will fall to their knees of course this is in itself stupid and I am a fool but I think to myself what have I got to lose by trying?