27 Wormwood St This provides a clean and transparent sound, while generating a little more heat than other designs. A premium-range handheld condenser vocal mic with a clear and authentic sound. The dual-diaphragm microphone greatly reduces the proximity effect, and low-frequency response remains consistent with distance. Dualdyne capsule continues the ongoing evolution of microphone technology. Depending on your style, it may require some minor adjustments to your pronunciation, but in the end it is still more forgiving than a condenser. #3. The KSM9 is slightly more expensive but offers better sound quality and features such as a detachable cable. Check out the Shure KSM8 here:https://www.sweetwater.com/store/detail/KSM8N--shure-ksm8-dualdyne-nickelSubscribe to Sweetwater:https://www.youtube.com/user/S. Shure Audio Institute. to maximise the magnetic field in a very small space and thus ensure an acceptable electrical output level. The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. It is also nice to admit the technological advancements implemented in this unit. The mic has a dual-diaphragm design that allows it to capture both the low and high frequencies of the voice, resulting in a natural and balanced sound. I work with a female vocalist who is looking to upgrade her microphone. SHOCKSTOPPER is a trademark of Shure Incorporated in the United States. The KSM8 really is impressive for a dynamic mic. If the vocalist presses their lips against the grille there is a small but noticeable increase in the bass end, but it really is very moderate in comparison to most stage mics. But for the money, youll get a classy, crystal-clear sound with heaps of dynamic detail. Whereas condenser mics are active meaning they need something called power phantom power. A max SPL of 152db is also a little lower than the SM58, but not drastically different to some of the other pro-level dynamic microphones (e.g. The on-axis pickup pattern is well focused, and although moving substantially off axis results in a dramatic reduction of level, the tonality remains remarkably consistent. Balancing bullet-proof reliability, technical sophistication and dynamic stage ready appearance. Its unique capsule gives the KSM8 a cardioid polar pattern that is unusually uniform across the frequency spectrum. The KSM9 is a premium vocal condenser microphone that captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility, and precise vocal reproduction for live performance. . Beginning with a simple and sturdy design (and in a handsome matte black), the KSM8 Dualdyne is the world's first dual diaphragm dynamic vocal microphone, a design that eliminates the emcee mic-cupping . Occasionally we even see some completely new microphone technologies, with yet more hovering tantalisingly over the horizon. 5 stars: 28 %: 4 stars: The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. The higher range gets some gentle boost, resulting in more transparency andhelping to cut through more easily. Interesting Essay On Sampling Rights and Reforms. The KSM8 has many unique design quirks to reduce plosives and the proximity effect, and enable a smooth natural sound. This is to stop little bursts of air causing bassy pops on your studio recordings. Technical features include two ultrathin diaphragms, a neodymium magnet, a dent-resistant carbon steel grille, a new internal pneumatic shock mount and diaphragm stabilization system, and integrated hydrophobic wind protection. Don't Let Dirty Power Ruin Your Recordings. On stage, the wider cardioid pattern is more suited to singers who move around the mic a bit more. When you purchase through links on our site, we may earn an affiliate commission. suggested Neumann KMS 105 Sennheiser e 965 Shure KSM8 Shure KSM9HS Shure Beta 87A Shure Beta 58A Shure SM57 Sennheiser e 835-S Sennheiser e835 Sennheiser e 835. The views expressed are those of the contributors and not necessarily those of the publishers. In addition to diminishing unwanted movement, the moving piston and internal cavities have been precisely engineered to stabilize the diaphragm amidst mechanical vibration. This extended high range will give your vocals that extra sparkle and clarity, and a more open authentic sound. Win a TB-03 and TR-06 from Roland. It may likely suffer from cosmetic defects, such as grille deformation and less likely scratches. The legendary Dan Erlewine, luthier Gene Imbody and Berklees Tomo Fujita have shot a 6-point lesson video to help, Deadmau5 delivers his verdict on AI music production: Its scary in the sense of how stupid music already is anyway, It looks like Gibson is going to start selling vintage guitars including a '59 Les Paul Burst, Damon Albarn reveals that the beat from one of Gorillaz best-loved songs was an Omnichord loop preset, Jacob Collier offers Steve Vai guitar playing direction and watches as Willow screams down a microphone, "We are changing vintage guitar collecting forever": Gibson officially launches Certified Vintage program, Producer Mura Masa says that PinkPantheresss Boys A Liar was made in a couple of hours, and that he didnt know about the Ice Spice 'Pt 2' remix until he saw the video. All in all, the KSM9 offers a very happy medium. Gone is the quite substantial midrange and high-mid boost, replaced by a much smoother and dare we say it more natural response, and although this seems lacking at first, whats missing is the borderline sibilance that an SM can easily exhibit. Shure KSM9 has a fantastic quality and it gives a very natural sound. One distinctive advantage of Shure KSM9 is that it is quite less sensitive than Neumann KMS 105. For comparison the SM58 only reaches 15kHz. From those a reviewed, Heil PR35 would be the closest match in how it sounds while also being studio worthy. The KSM8 is a dynamic microphone; the KSM9 is a condenser microphone. It has a cardioid pickup pattern, which means that it picks up sound from in front of the mic and rejects sound from the sides and rear. As a premium mic, the KSM9 is certainly pricey. Comparison of Shure KSM9 and Shure SM58 based on specifications, reviews and ratings. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0, Shop Shure KSM8 Dualdyne Cardioid Dynamic Vocal Microphone at Sweetwater https://www.sweetwater.com/store/detail/KSM8Nshure-ksm8-dualdyne-nickel/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, Shop Shure KSM9 Dual-Pattern Condenser Handheld Vocal Microphone at Sweetwater https://www.sweetwater.com/store/detail/KSM9CGshure-ksm9-handheld-condenser-microphone-charcoal-gray/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, If youre wondering what video gear we use, check it out https://www.sweetwater.com/shop/general-gear-used-to-make-sweetwater-videos/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. In Asia, call 852-2893-4290. A premium condenser vocal microphone, the KSM9 captures vocal subtlety with extraordinary detail for live performance. 5/8" to 3/8" (Euro) Threaded Adapter. There were four models in AKGs dual-capsule range, starting with the D200. To prevent dust and moisture ingress, they decided to cover the back of this labyrinth with a second (passive) diaphragm which would still allow sound waves from the rear to pass into the capsules internal labyrinth. This mic has a very flat and even range through the mids, before gently climbing through the high range from about 3kHz. The Shure KSM9 is a high-quality condenser microphone that is designed for live performances. This was the companys first model to use their Variable-D technology, although the concept wasnt patented until 1963. General Description. The grille interior is lined with a hydrophobic woven fabric. At first glance it looks just like any other conventional stage vocal mic theres nothing in its styling that signposts the clever technology within. Shure KSM8 Shop now at Amazon. However, the weight of the coil limits how responsive the mic can be, and it tends to struggle to replicate high frequencies and dynamic detail. For many live situations, a decent dynamic mic may be good enough. Now is the perfect time to get the gear you want with simple, promotional financing. Does anyone have any experience with the KSM9? The Shure KSM8 is a dual-diaphragm cardioid dynamic mic designed primarily for vocal performance. Its unique capsule gives the KSM8 a cardioid polar pattern that is unusually uniform across the frequency spectrum.As polar patterns go the KSM8 boasts a remarkably consistent cardioid response, with an excellent rear null across most of the frequency range, and Shure claim it to be the purest cardioid polar pattern the company have developed to date. A supercardioid pattern is a little tighter around the mic, picking up sound around 57 degrees each side of the mic. Shure describe the KSM9 as the first-ever handheld condenser with dual diaphragms and switchable polar patterns. Reviewed by: Paul NarangReview date: October 2022Current price: Around $500. And of these, the SM57 and SM58 are industry-standard around the world. Despite being a condenser, the design is well adapted to gigging. The Shure KSM8 Dualdyne Microphone is the world's first handheld dual-diaphragm dynamic microphone, designed for professional vocal applications in live sound and studio environments. In these microphones the front capsule mounted directly behind the grille captures only the high frequency components of the source sound, while a second capsule located behind it receives the low frequency sound components, via a damped acoustical tube from entry ports at the bottom of the microphones handle. The only quibble I have is with the price, which at $499 is 5 times the price of the SM58. One of the standout features of this mic is its versatility it can be used for both vocals and instruments. Beta 87A on UHF-R Wireless. Both mics have their pros and cons, so it can be tough to decide which one to buy. The Neumann KMS 105 is a great microphone for those who are looking for a high-quality sound. A Sweetwater Sales Engineer will get back to you shortly. 1:41 Shure KSM9 Only Giving just enough brightness to put you in line or slightly ahead of the instruments, I find it working . Aside from singers, weve seen it working foracoustic artists too, for example guitar players etc. It has a warm sound that is perfect for female vocals or mellow tracks. Always works in a rock setting. The KSM8 mic is supplied in high-quality rigid protective case with zip closure, and comes with a soft-flex stand adaptor clip and 5/8-inch thread adaptor. The KSM8 is a dynamic mic, whereas the KSM9 is a condenser. The capsule technology inside the KSM8 has been christened Dualdyne, in keeping with their familiar Unidyne product range terminology and in obvious reference to the use of two diaphragms. But as condensers are more sensitive than dynamic mics, they may not be the best choice for everyone. Off-axis frequency response is very smooth. For example, AKG developed their D200 range of two-way or dual-capsule microphones in the late 1960s. It features a cast aluminium handle, solid construction, and comes in two colours: charcoal or champagne. The results were always stellar and we use the wireless versions of KSM9 on our singers with James Taylor to this day. Theyre reliable, and lots of them sound great. Artists seen using the Shure KSM9 include Neil Tennant, Damien Rice and Serge Tankian. I think the Shure is a little brighter in character, whereas the Sennheiser is a bit more pronounced in the low-mids. Shure Tech Portal open_in_new. KSM9 picks up too much stage wash. AE5400, KSM9, VX10, and PR22 do as well. The capsule assembly process apparently involves ultrasonic and internal laser welding to help ensure excellent mechanical reliability, and the practical realisation of the Dualdyne capsule took Shures engineers seven years of development and optimisation. Theyre probably best-known for their affordable handheld dynamic stage microphones. Professional vocalists are always repositioning their mics to change the tone and add expression to their performance. The lows are being naturally rolled off to avoid that unwanted mud and boominess. 530 706 Des. The downside is that the KSM9 seems to pick up everything on stage.. but it doesn't color them, so doing some additive mixing, using the mic bleed as the foundation, works fairly well. Re: KSM9 vs. The Shure KSM8 is a dual-diaphragm cardioid dynamic mic designed primarily for vocal performance. My contacts at Shure were reticent to consider creating a competing product for the venerable SM58 and the newer Beta 58A. Heads Up SoSer's - When SSDs Fail, They Fail Catastrophically! Save my name, email, and website in this browser for the next time I comment. There is no doubt in my mind that the Shure KSM8 Dualdyne handheld dynamic is a superior microphone for live vocals. Another advantage of mics with a smaller diaphragm is that they have a more controlled, consistent pickup pattern. The KSM8 microphone is available in a black or brushed-nickel finish. The Neumann KMS 105 is a great choice for studio vocals. Building on a technology that Shure first introduced in 1966 with the Unidyne III capsules used in SM57s and SM58s, the KSM8s pneumatic shockmount sits below the Dualdyne capsule to decouple it from the microphone body, thereby minimising low-frequency handling noise. Why you can trust MusicRadar This product meets the Essential Requirements of all relevant European directives and is eligible for CE marking. 25 Feb/23. Through a multi-disciplinary partnership from research to development, Essential partnered with Shure to help establish user experience principles and a design language for their wireless and wired microphone . https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0, https://www.sweetwater.com/store/detail/KSM8Nshure-ksm8-dualdyne-nickel/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/store/detail/KSM9CGshure-ksm9-handheld-condenser-microphone-charcoal-gray/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/shop/general-gear-used-to-make-sweetwater-videos/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.Sweetwater.com/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. For a more natural, balanced sound, hold the mic between 5 and 10 cm away from your mouth. But a supercardioid pattern would be better when recording a full band in a single room. 5:52 Thanks for Watching! This means theyre prone to overload and distortion from louder singers. The unique design of the Shure Dualdyne cartridge provides several benefits over traditional single-diaphragm dynamic microphones: With traditional microphones, low-frequency response increases as the performer moves closer to the microphone. Click to reveal Shure Tech Portal open_in_new. The Sennheiser has some unique features: a low-cut filter switch, for singers who need to remove low frequency noise from the room. Please include what you were doing when this page came up and the Cloudflare Ray ID found at the bottom of this page. Crucially for a live condenser, theres also a suspension shock mount. Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself . This model is renowned and remains a favorite choice of many musicians. More about the KSM8 here. Overall, the KSM8 appears to be a very impressive stage mic, both in terms of its practical sonic benefits, and in its innovative technology and sophisticated engineering. Follow Marcus Scott on social media Geeksper.com is the blog site where you can get well-researched microphone reviews, microphone buying guides, and everything related to microphones. In contrast, the dual-diaphragm capsule achieves a superior cardioid polar response and on-axis frequency response for close (nearfield) sources. All contents copyright SOS Publications Group and/or its licensors, 1985-2023. 1.93 in. Here we really missed the added proximity oomph, particularly for the guitar. Learn More. SM58. The head of the mic is 49 mm (1.9) and it weighs in at about 300g (10.6oz). However, when the stage gets more aggressive and louder, you will need theimproved rejection and gain before feedback of supercardioid. More videos like Shure KSM8 vs. KSM9 | Whats the Difference? Future Publishing Limited Quay House, The Ambury, JavaScript is disabled. A dual-diaphragm design helps to reduce the proximity effect, and evens out the frequency response throughout the vocal range. SM7b is unique though, so dont expect you can get the exact same performance from another handheld. 0:00 Intro The Shure KSM9 can switch between two different polar patterns: cardioid and super-cardioid. High sensitivity condenser mics are very good at picking up detail (both close-up and at a distance). Shures KSM8 introduces the Braunmhl-Weber dual-diaphragm concept into a moving-coil capsule for the first time, with substantial practical and sonic advantages for the live-sound market. This helps reduce handling and stand noise, as well as offering some protection to the internal circuit. An internal shock mount offers the kind of durability youd expect from a live mic. Spitfire Audio Hans Zimmer Collection. At the bottom of the KSM8s capsule is a second passive diaphragm, which is there to seal the rear chamber and its internal acoustic labyrinth. Visit our corporate site (opens in new tab). When comparing the sound of the KSM9 vs KSM8s, I found them both to have a great sound. You may use these HTML tags and attributes:
, In this article, you'll learn how to choose professional and budget, Copyright 2015 - 2023 Microphone Geeks LLC, AKG Pro Audio D7 Reference Microphone Review, Sennheiser e965 Review Switchable True Condenser, Shure Super 55 Deluxe supercardioid prop mic review, Sennheiser e845 review budget supercardioid, MaonoCaster E2 (AME2) review production audio interface for streamers, Maono PD400X USB / XLR podcast dynamic microphone review, Pixel Voical Lark X Wireless Lavalier System Review, Azden SGM-1X Short Shotgun Microphone Review. In a directional microphone, sound waves are generally directed towards the rear of the diaphragm through an acoustic labyrinth, which effectively introduces an audio delay. Loud rock/metal bands will probably prefer the resilience of a good dynamic mic. Naturally, the latter influences the price greatly, and the KSM8 is consequently the most expensive moving-coil stage mic currently on the market. The nicely tapered die-cast aluminium body is available in a brushed nickel or black-painted finish, with overall dimensions of 188mm x 48mm. At 191 mm (7.5), its slightly longer than the Shure SM58. The KSM9 also switches between cardioid and supercardioid polar patterns, so it can easily adapt to different live environments and singing styles. In the studio, a cardioid mic is probably all you need in a well-isolated vocal booth. Perhaps the closest competitor to the Shure KSM9 is the Sennheiser E965. Show details. Featuring one of the most innovative cardioid polar pattern microphones that Shure has developed to date, the Dualdyne cartridge of the . Sweetwater Sound, 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 Get Directions | Phone Hours | Store Hours, If you have any questions, please call us at (800) 222-4700. We joined PA in 2018, becoming part of one of the world's most capable networks of researchers, strategists, designers, engineers, and scientists. It offers a natural, open sound, with a very balanced low-end, beautifully smooth midrange and brilliant highs. In general, a single-diaphragm capsule provides more accurate results for distant (far-field) sound sources, having a more accurate cardioid response which rejects rearward sources more effectively, and also enjoying a more accurate on-axis frequency response. ; chanel Usefully, and for related reasons, the mics susceptibility to plosive popping is also dramatically reduced as an added bonus! Elegantly crafted products that are simple, useful, and desirable. But with good noise-handling and clever engineering, the KSM9 brings all of these qualities to the stage. See giveaway details & rules or check out our past winners! I've heard from several FOH pals that the KSM9 and KMS104/105 are sonically very much in the same ballpark. Overall, the KSM8 is excellent for vocals but not quite the allrounder that the SM-series mics are. But for noisy stage environments, a supercardioid pattern does a better job of rejecting noise from monitors and other instruments. It also has a -10db pad which can be switched on if a vocalist needs a little less sensitivity. An interesting side-note here is that Ben Bauer, working at Shure in the mid-1930s, developed a broadly similar acoustic labyrinth concept based on Braunmhl-Webers work for a single-capsule moving-coil cardioid mic. You wont have the super resilience of a dynamic mic. In essence, this system guides sound of different frequencies to the rear of the capsule through three or four separate entry ports spaced along the length of the mic body, each incorporating frequency-selective damping. Ultimately the Shure KSM9 and Sennheiser E965 are two very similar microphones. The dual diaphragm design gives it one active and one passive diaphragm, so its also inspired, to an extent, by some of the classic fixed-pattern twin-diaphragm condensers. Geeksper.com is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon. (source: Section 5), Specification of Neumann KMS 105 Microphone, Neumann KMS 105 MT Condenser Microphone, Super-Cardiod,Matte Black, Sennheiser e935 vs e945 Microphone Comparison, Telefunken M80 Review: Features, Pros, And Cons, MXL 990 Review: Microphone Features, Performance, Pros & Cons, Top 5 Best Microphone for Recorder in 2023, The Best Microphones and Headphones for Online Gaming, Highly detailed condenser mic for demanding on stage applications, Robust metal housing reduces handling noise, Includes stand mount and padded nylon bag. It is a handheld condenser with a switchable polar pattern between cardioid and supercardioid. The Shure KSM9 is also a great choice for studio vocals. Thank you for your request. This makes it almost identical in size to Shures KSM9 capacitor stage vocal mic. The KSM9HS is a new premium stage vocal microphone, based on the design and success of the KSM9. Nevertheless, we dont think this should detract from what is a beautifully made and classy performer from mic giants Shure. ksm9 hs surprising on no feedback. This mic offers dynamic lows, balanced mids and sparkling highs. At a similar price, therere many comparisons to be made between the 105 and the KSM9. Well, at 429, this mic doesnt come cheap. The Shure KSM9 is a condenser microphone, so it does require phantom power. A cardioid polar pattern shouldnt pick up any sound from the rear of the microphone. Then connect the output of the phantom supply soundcard. Price $699. SHURE KSM9/CGShure118800! This means an even, predictable low-end as the distance from the mic changes. Every single component is new this is no evolution from previous Unidyne capsules: it came quite literally from a clean sheet of paper and a lot of innovative thinking! They are just in completely different leagues. In my experience the KSM8 is a more hi-fi-sounding mic. Cardioid is more natural but may need a louder vocal to combat feedback. Taking its inspiration from Shures classic Unidyne III capsule (thats the one used in the SM57, SM58 and others), this newly developed capsule aims to reduce the proximity effect, improve off-axis frequency response and rejection, and deliver a more consistent polar pattern. I wasnt able to try the KSM8 in a live stage situation, but I did compare it directly with both a Shure Beta 58 dynamic and SM87A capacitor stage mic in the studio. Also, what's your use case, as this will probably help us guide you towards to best choice! This mic has a number of features that make the overall experience even more enhancing First of all, is a state of art suspension system for the capsule, which results in reduced handling noise. On vocals and speech, although the level changes, you get very similar frequency response from a couple of inches up to about a foot. This makes it ideal for recording vocals or instruments in a studio setting. The KSM9 from Shure Inc. of Niles, IL originally debuted as the microphone part of the high end UR24S/KSM9 wireless system. Microphone sound absorption and reflection. AK8C. They even look similar, with tapered handles and squareish divided metal grilles. The balanced response of the dual-diaphragm microphone allows the performer to move more freely without affecting the sound quality. Thus, it is like you buy one mic but end up with two, and you can switch themwhenever you want, which is quite very awesome. Taking its inspiration from Shure's classic Unidyne III capsule (that's the one used in the SM57, SM58 and others), this newly developed capsule aims to reduce the proximity effect, improve off-axis frequency response and rejection, and deliver . It has a sumptuous rich low end that isnt overpowering, smooth mids, and sparkling fizzy high notes. Keep in mind, Heil mic is more sensitive, which is both a pro and a con. The polar response also behaves differently with both frequency and source distance. A strong presence peak centered around 4 to 5 kHz is used to counteract the increased bass. Thank you for your request. Popular comparisons. The BLX88 is the two-channel version of the BLX4. The robust mechanism means theyre also less sensitive to distortion from high sound levels. The Neumann KMS 105 is a condenser microphone that is designed for studio use. BA1 1UA. If you could choose for worship music between Shure KSM9, Neumann KMS 105 or Sennheiser E965, what do you prefer? The overall off-axis response is very smooth, and although the pick-up pattern is at the broader end of cardioid, theres pretty good rear rejection, particularly noticeable in the midrange frequencies. A25E. Internal shock mount and capsule stabilization mean minimal handling noise. This is wider than most handheld dynamic mics, and is one of the main perks of using a condenser mic. Condenser mics are more often found in the studio, where they have the ability to capture small dynamic changes and high-frequency detail. If the two passage times are accurately matched, the sound pressure will be identical on both sides of the diaphragm, and there will be no net movement which means no electrical output.